Part V. Commentarius.
a) A new year indeed.
In each section of this particular work in parts (I have permission to publish a mo 'to browse blogger), came through more or less consciously "different psycho-chronological stage last year, with outbuildings & related music, dream and intellectuals
songs recently and providential listening, great quotes of the past, too helpful in being left out, thinking in ways that would not have another how to propose, or short prose delirium in the sense that they would not find otherwise.
And, as regards the dream, original (if not entirely unusual), and suggestive juxtapositions of images and words that are meaningful only more so in such a profusion of pseudo-art, which attempts without right, no appropriate means to refer to the highest standards of classic prosimetro Ariosto and satire!
... everything in order to do some 'clean and tidy first of all in my head, in this year of transition in which I have chosen to stay, and pour everything into my head there was more ....
I write to do some 'order in chaos . (Nathan Englander in a multi- interview that appeared in The Republic of Tuesday, January 4, 2011)
I would not have been able to choose other more clear direction that the visible from a new point of departure, using this short period of life when you have one last opportunity to remain unnoticed by the major responsibilities and duties ...
Siddhartha, why I chose to stop and start all over again, to confront with my own limits, without reservations, but not from duty. Anyone who has read the book of Hesse will take referrals.
-sleep, waking up early, studying on their own initiative and organize your day, organize a productive activity, and gradually cover the need to bring order to exercise the mind and body, to avoid falling into the abyss. .. know your limits, and have the opportunity to challenge them ... and why not, sooner or later overcome.
Got a mind full of questions and
a teacher in my soul,
an 'I know it goes ...
(Eddie Vedder)
McCandless, because after all I have left a deep vein antisocial with which I began to confront head on. Because I would often run away from all this, and escape the social grid, which will be well as functional, but every day they discover the dark side ...
Society, you're a crazy breed
(...) hope you're not angry
if I disagree ...
(Eddie Vedder)
... because I want to find my own way, e. .. authentic experiences.
For one day be able to share my happiness ... (If you have not already done so, look Into the Wild)
Why I want to be able to break all the bonds-and-psychological and technological alternatives ...
a moment of silence from all.
myself.
In the end, "Sidd" is all I was not able to get out before the open.
(This explains the meaning of the definite article in the title "The Book )
Nothing that I wrote in 4 preceding sections are there by chance. As even what you write here. My obsessive fastidiousness keeps me from leaving in the first draft of the last comma. You will notice the different thematic references between sections and the other, and as the next full sense of the previous one, and vice versa.
I tried to collect everything I learned from the experiences of one year.
No interpretation, however indirect, in the dark and disturbing, of necessity, it can be excluded.
do not mean "scratches" on the merits that I have not, nor propose a model to imitate. What we find here is nothing more than an attempt to share my experiences and reflections with people I already know that deep down most of ...
The meaning of the "poetics of the unconscious" of which I have used, is to focus on intuition, or surreal as it may seem elusive, and try to ensure that this acquisition will not remain a mere individual, but to reach the imagination of others, perhaps in passing, and generate new streams and new consciousness.
Consequently, the language has a strongly elliptical and allusive (often omit the links between one paragraph and the other to destabilize the seemingly logical thread), but the symbolism nevertheless remains simple, and perhaps that is a little anti-modern.
I hasten to care much, the musicality and rhythm of the line, probably with a drift, weighting some sounds to stimulate the attention and insight ... Or at least, this was my idea.
Matthew
b) Declaration (of) Poetics.
No artist desires to prove anything. Even things that are true can be proved.
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything.
Thought and language are to the artist instruments of an art.
Vice and virtue are to the artist materials for an art.
From the point of view of form, the type of all the arts is the art of the musician.
From the point of view of feeling, the actor's craft is the type.
All art is at once surface and symbol.
Those who go beneath the surface do so at their peril.
Those who read the symbol do so at their peril.
It is the spectator, and not life, that art really mirrors. (Oscar Wilde)
Le parole scelte, d'arte
sono metaforiche,
allusive, simboliche
concrete for a few moments
and remained stone
like figures to represent
a hint of emotion, thought,
truth.
are not as provocative
diplomatic statements are the representation of a moment.
Aimed at those who can contemplate
without feeling compelled to retort
or defend ...
art expresses
does not stick.
The object of this action
it to be defined
observer
through its unique and intimate
code.
Art is out
but comes from within.
one who test the deep need to refute
in the message
sensing in this way, is not looking at the Opera.
He can not see anything
than itself. (10/12 / 2010)
You told me that truth and beauty
do not make noise
you just let go ... (Cristina Donà)
INFORMATION IS NOT KNOWLEDGE.
KNOWLEDGE IS NOT WISDOM.
WISDOM CAN SHOW THE TRUTH.
TRUTH IS NOT BEAUTY.
BEAUTY IS NOT LOVE.
LOVE IS NOT MUSIC.
MUSIC CAN SHOW LIFE...
LIFE IS ART.
and
ART IS ALWAYS ON THE OTHER SIDE.
I have never studied
classic rhythms.
All that fo
and meet
The cadences and words,
In verse,
Reciting of emotion
Vince sound
And intuition.
" Some phrases become judgments. Who has produced is nothing but a medium between power and act, between consciousness and oblivion ...
is not relevant to find out who has delivered the first, and all are witnesses to the same creative power. " (Sidd)
QUIT TO ARTICLE CAN BE USEFUL!
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